Privacy practices may vary based on, for example, the features you use or your age. Learn More. Mac App Store Preview. Description Final Cut Pro combines revolutionary video editing with powerful media organization and incredible performance to let you create at the speed of thought.

Ratings and Reviews. App Privacy. Information Provider Apple Distribution International. Size 3. Compatibility Mac Requires macOS Price RM1, Developer Website App Support.

Family Sharing Up to six family members can use this app with Family Sharing enabled. Featured In. Optimised for Apple Silicon. These apps take full advantage of the powerful Mac hardware. Choose from dozens of bundled plug-ins for audio compression, EQ, and more — or send to a professional audio application like Logic Pro for advanced audio mixing.

Learn more about Logic Pro. And batch exporting makes it fast to deliver multiple files or projects in multiple formats. You can also use Compressor to create custom export settings that appear right in Final Cut Pro. Learn more about Compressor. Quickly display any audio or video that appears more than once in your project with highlighted clip ranges in the timeline.

Or you can list all matches in the Timeline Index. Select a clip to show its duplicates and use keyboard shortcuts to instantly navigate between them. View up to 16 angles at once in the Angle Viewer. And open the Angle Editor timeline to move, sync, trim, add effects, or color grade individual clips. Create stunning effects and sweeping graphics with Motion, including studio-quality 2D and 3D titles you can open and adjust in Final Cut Pro.

Use Compressor to create custom export settings and streamline delivery of your movie to the iTunes Store. Learn more. Use keyframes to adjust corrections over time, and apply camera and creative Look Up Tables LUTs for the perfect look. Unique color wheels improve on traditional controls by combining hue, saturation, and brightness into a single, simple interface. Color and luminance curves allow ultrafine level adjustments with multiple control points to target specific color and brightness ranges.

Sample a color with an eyedropper and change just the hue, saturation, or luminance of a specific color within the image. Work closer to reality than ever before with HDR video. Import, edit, grade, and deliver incredibly lifelike images with Final Cut Pro. Shoot on industry-standard cinema cameras, or in stunning Dolby Vision with the latest iPhone models. You can view beautiful HDR content on a variety of Mac computers that use the reserve brightness of the display to show an extended range of light levels.

View High Dynamic Range video the way it was meant to be seen. The amazing MacBook Pro display delivers up to 7. Import, edit, and grade original, untouched footage with RAW data straight from your camera sensor — without sacrificing any speed or smoothness. The format is optimized for macOS and the latest Mac computers, allowing you to render and export faster than with other RAW formats. Work with untouched image data directly from your camera sensor. RAW files provide maximum flexibility for adjusting the look of your video while extending brightness and shadows — an ideal combination for HDR workflows.

Final Cut Pro includes an intuitive, comprehensive set of tools for closed captioning in a variety of formats, without the need for expensive third-party software or services. You can create, view, and edit captions within Final Cut Pro, and deliver them as part of your video or as a separate file.

Add an existing caption file to your project and Final Cut Pro automatically connects each caption to the corresponding video or audio clip in your timeline. Type captions from scratch — in multiple languages and formats — and watch the text play back in real time right in the viewer. Or use third party services in a workflow extension to automatically transcribe clips and convert them into captions.

Attach captions to connected audio or video clips in the timeline so they move in sync with your edit. And the enhanced Timeline Index lets you quickly search and select captions, or use captions roles to instantly switch between different versions.

Or burn them directly into your video. When delivering, you can choose to embed caption metadata in your video file or create a separate sidecar file. Captioned videos can be exported for YouTube and Vimeo. And you can send your project to Compressor to include captions in a batch or an iTunes Store package. Download free trial.

The extensive third-party ecosystem for Final Cut Pro delivers best-in-class media asset management, review and approval, effects, graphic templates, and much more — right at your fingertips while you edit. Extend your workflow with powerful third-party applications right inside Final Cut Pro.

Browse and select stock photos, video, and music for your edit with services like Shutterstock and APM Music, or use Frame. You can even browse and preview hundreds of text styles at once with Font Audition, all without leaving your edit. Create amazing visuals with simple drag-and-drop effects. Use ProAnimation from Pixel Film Studios to easily create kinetic logos without keyframing, or browse a rich ecosystem of plug-ins with the FxFactory app.

Add professionally designed, customizable motion graphics to your project without the need for additional software. Adjust colors, fonts, and animation styles right in the timeline, and see the changes instantly. Take your creativity even further by making your own custom graphics using Motion. You can get certified and demonstrate your Final Cut Pro capabilities while gaining a competitive edge in an ever-changing industry.

Unleash your creative potential with the Pro Apps Bundle for qualifying college students, teachers, and education institutions. Get all five professional applications for video and music creation at a special price — including Final Cut Pro, Motion, and Compressor, along with Logic Pro and MainStage. Buy now. Final Cut Pro. Free Trial Free Trial. Buy Final Cut Pro. Storytelling at its most powerful.

Try Final Cut Pro for free. Object Tracker and Cinematic mode. Unrivaled pro performance. Editing, audio, motion graphics, color grading, and delivery. The best plug-ins, effects, and tools from leading developers. Creativity that moves. The ultimate cinematic effect.

Apple final cut pro x review free download. Storytelling at its most powerful.

Manage consent. Close Privacy Overview This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website.

We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.

Necessary Necessary. Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously. The cookie is used to store the user consent for the cookies in the category “Analytics”. The cookies is used to store the user consent for the cookies in the category “Necessary”. Post this amount, and nothing has to be paid in the name of hidden or weekly, monthly, or annual subscription cost whatsoever.

Like any other program, even FCP has its negatives and positives that may help you decide whether you should go for the application or pick any of its alternatives. Listed below are some of the most common pros and cons of the app that this Final Cut Pro review has gathered from various resources. Final Cut Pro X uses GPU that is registered with Apple, and therefore it tightly integrates itself with the hardware to offer a smooth and flawless video editing experience.

This arrangement helps you quickly locate the components when needed, thus saving you a decent amount of time. Some examples of these titles can be casting, other information that the audience needs to be fed with during the playback, etc. Final Cut Pro allows you to add various filters and effects to the footage to make them more lucrative and appealing during the broadcasting sessions.

Unlike other video editing tools, FCP has its own built-in audio editor that eliminates the need to invest in a dedicated program to edit sound clips and tracks for the video. Rendering is considered to be the most tedious and boresome task after you are done with all the edits and modifications the video needs.

The program cannot be installed even on a virtual machine running macOS as guest operating on a Windows computer.

Many people complain about the Customer Support Team, not responding to the queries or addressing the issues on time. And pulling apart a sequence to slip in an alternate clip is a major headache. Auditioning will alleviate much of that pain. Editors can try out alternate takes by simply marking an in and an out on alternate clips, drag them onto the existing clip on the timeline, and select “Add to Audition.

Effects Because virtually every part of the Final Cut Pro X application is different from its predecessor, it probably isn’t a surprise to many that your old bit Final Cut Pro 7 plug-ins won’t work with the new FCPX. That’s not to say that Apple is giving up on the third-party plug-in community. In fact, it’s relying on it heavily to fill in some missing features.

Final Cut Pro X comes complete with a new plug-in architecture that is bit from the start, called FxPlug 2. Developers can access the full specification, on Apple’s Developer Web site, and it’s been rearchitectured to take advantage of the new high-performance, multithreaded, floating-point rendering engine.

The work that Apple has put into the new rendering engine really shows. Effects can be applied in real time and require little to no rendering. You may see some resolution drops and a few frames here or there, but in our tests it stayed close to real-time performance.

Applying effects has never been easier. Instead of dragging and dropping effects and taking a coffee break to wait for it to render, you can simply press play in the timeline and try out different effects and looks in real time by hovering over the effect in the Effects Browser.

Performance There might be a lot to get used to when it comes to the changes to the user interface and missing features, but one area where the new Final Cut Pro X deserves universal praise is performance. All the while, we were applying real-time effects and color corrections to untranscoded, p H.

Be careful, though, and don’t assume that every Mac that Apple has released in the last few years is OpenCL-capable. Part of Final Cut Pro X’s new performance increase comes from background processing. While you’re pondering your next edit, FCPX will use those down cycles to execute a number of different tasks including transcoding, content auto-analysis for stabilize shaky footage, or removing background noise from audio. Final Cut Pro X even includes a Background Task window, which shows you exactly what FCPX is doing and even offers some manual controls like pausing or canceling a background process.

The new Final Cut Pro X is undoubtedly much faster than its predecessor, but it still maintains high picture quality throughout its rendering engine. The new rendering engine is floating-point based and uses a much wider color space, meaning you could blow out the highlights in one effect and bring back detail into the image with another effect. Unfortunately, all that exceptional color management goes to waste because as of right now, Final Cut Pro X doesn’t support monitoring on professional broadcast monitors.

Still, it’s quite a disappointment that for now, Final Cut Pro X users will have to trust their computer monitors and know that it probably won’t look the same once it hits a real television set or gets projected in a screening room.

Motion 5 Many video professionals have been wondering for years when Motion would step up into the big leagues of compositing after it shuttered its Academy Award-winning Shake compositing program. While the new Motion 5 inherits Final Cut Pro X’s new look and high-quality rendering engine, it is not Shake for mere mortals. And Apple says it’s not intended to be. Motion graphics designers can now set up Smart Motion Templates with editable parameters that can be “rigged” together. For example, a motion graphics artist can give motion graphic titles several variations with different colors and font sizes that work together.

Editors can adjust these rigs with simple sliders, pop-up menus, or check boxes. Motion 5’s new Smart Motion Templates are also more intelligent than their predecessor. Artists can now define intro animations and out animations, but leave a flexible title “body” to fit the correct timing in the middle. The days of slicing motion graphics and fading between the two to extend a title that just wasn’t long enough to cover an edit are over.

The most useful improvement to Final Cut Pro X motion graphics is that you can now edit the text right in the Viewer panel. No more opening up a title’s controls in the Viewer, changing a bit of text, and then clicking somewhere else on the timeline for your text to update.

Primatte is gone from the package, but Apple says that the new chroma keyer is better than ever. It utilizes the same bit high-quality rendering engine, and our limited testing shows it to be at least on par with Motion 4’s Primatte keyer. For the most part, it looks a lot like its previous incarnations, but Apple has cleaned up some of the interface, mostly by getting rid of all those extra Compressor presets that most people only ever used in a blue moon.

Considering Final Cut Pro X lost support for laying off video to tape, it’s even more important that editors have a compression tool like Compressor 4 to upload files to YouTube, Vimeo, FTP, or whatever future platform, though admittedly FCPX builds some upload functions right into the menu bar.

The moniker is a bit misleading, however. Compressor 4 does not gain the ability to encode live video streams. HTTP live streaming is still file-based, but it does make it a lot easier to generate multi-bit-rate H. M3U playlist. HTML5 video the H. Finally, Compressor 4 incorporates Apple’s Qmaster rendering engine into the application itself rather than as a separate background application or installation.

Users can now designate encoding nodes within the application to take advantage of unused CPU cores or machines on your network. You will, however, need to install Compressor 4 on other machines on your network to take advantage of the distributed encoding. It’s not coming back. Apple sees iTunes as the future model of media distribution, and if you’ve been following the development of Final Cut Studio, you’ll know that DVD Studio Pro hasn’t really changed in more than five years.

Color was always the odd-man out in the Final Cut Studio suite. Originally, it was called FinalTouch and was developed by Silicon Color until the company was acquired by Apple. But it was always obvious that the app was not very Apple-like, nor is the idea of stepping out of your video-editing application to perform a color correction.

The new Final Cut Pro X incorporates most of the basic features of Color without ever having to leave the application. Color correction is no longer a special effect, but it’s built into every clip you lay on the timeline. By just tabbing over, you’ll be able to create global color corrections within FCPX, as well as additional secondaries. The color board does take a bit of getting used to, and many users will miss Final Cut Pro’s iconic three-way color corrector.

In return, however, they will get features like masking and even selective keying to make fine adjustments. It’s not as powerful as Color. You won’t be able to track faces or moving elements on screen. For that, Apple recommends using Motion 5’s built-in trackers and color correction engine. Finally, we get to Soundtrack Pro.

Fortunately, Final Cut Pro X upgrades much of the audio-editing tools. For instance, sound can now be edited to precision levels. One reason you needed apps like Soundtrack was because Final Cut Pro audio tools still lived in a world where frames are king. Editors around the world know the pain and frustration of trying to remove that half-frame long pop or click. Even better is that they support Audio Unit plug-in custom interfaces, so you don’t have to worry about using imprecise sliders to make your adjustments.

Honestly, though, Soundtrack is not an application we will miss much; others might disagree. Yes, you could clean up audio, mix multiple tracks, and look for sound effects, but in the professional world, Soundtrack Pro simply did not compare with the industry-standard Pro Tools, which leads us into perhaps the biggest gripe of all. If you don’t know what these acronyms mean, you’re probably not a person who needs to upgrade to Final Cut Pro X.

Also, if you’ve read the early reviews of Final Cut Pro X, then none of what we’re about to say will be a surprise.

Final Cut Pro X is a complete overhaul of a very mature application. Unfortunately, Apple failed to include some features that aren’t simply missed, but are very much needed. As great as Final Cut Pro X’s new tools are, they simply aren’t a match for dedicated applications like DaVinci Resolve for color correcting or Pro Tools for audio editing. Information Provider Apple Distribution International. Size 3. Compatibility Mac Requires macOS Price RM1, Developer Website App Support.

Family Sharing Up to six family members can use this app with Family Sharing enabled. Featured In.

Final Cut Pro X Free Download – VideoHelp

 
 
Download Apple Final Cut Pro X for Mac to edit your video footage and arrange clips with a one of a kind Magnetic Timeline. Apple Final Cut. Apple offers a generous day free trial, which only requires an Apple Store account to get. At over 3GB, Final Cut Pro is a hefty download, so make sure you.